I’m pleased to announce the immediate availability of my latest video workshop, Cooking with Color Efex Pro.
If you missed the live class, here’s your chance to sit down and learn the fundamentals of one of the best photo filter packages out there. I’ll walk you through how to run the plug-in from both Lightroom and Photoshop, and give insights on the best workflows for using this tool from Googles Nik Collection.
Dynamic range is a way of describing the range of brightness values your digital camera (or film) can faithfully record. Newer cameras, especially the ones from Nikon and Sony, have sensors that deliver as many as 14 stops of dynamic range. The trick, however, is how to extract that information when processing your shots.
If you use Adobe Lightroom, the Camera Profile (under the Camera Calibration Panel) will dictate the starting point for dynamic range. If you use the manufacturer’s RAW converter, then the as-shot settings (e.g., Nikon Picture Control) is applied by default. The in-camera settings set the contrast (tone curve) and color for how your images are processed. By using a low-contrast setting, you’ll be able to expand the dynamic range of your shot. Continue reading Expanding Dynamic Range On Single RAW Files in Adobe Lightroom (with Video)→
This 99 minute HD video includes a 54-page printable PDF companion and will teach you how to retouch images in Lightroom using local adjustment tools. From simple fill lighting effects to complex exposure corrections, you will learn which tools to use and how to use them for maximum impact.
Lightroom tutorials from Jason P. Odell
Moving to Lightroom: Image Processing & Workflow (a complete guide to working with digital photographs in Adobe Photoshop Lightroom 5; PDF eBook)
After spending a lot of time using my Fuji X-T1 body this past spring and summer, I decided to purchase the recently released 18-135mm f/3.5-5.6 OIS Fujinon lens. This lens is the first offering from Fujifilm to include weather-sealing, in the form of a gasket around the lens mount. In this post, I’ll attempt to answer the most common questions you might have regarding this lens, especially as it relates to the existing 18-55mm f/2.8-4 OIS kit lens. Scroll to the bottom for my video review of these two lenses.
The 18-135mm Fujinon is a solidly constructed zoom lens that is larger and heavier than the 18-55mm. It weighs just over one pound (490g) and is just slightly smaller than the 55-200mm Fujinon. Its focal length range is equivalent to using a 27-206mm lens on a 35mm format camera. It uses a 67mm front filter thread and includes a petal-shaped bayonet lens hood. The lens is weather-sealed via a rubber gasket on the lens mount. Continue reading Fujifilm 18-135mm f/3.5-5.6 OIS Hands-on Review→