If you missed my online class on digital monochrome conversion using Silver Efex Pro 2 (Nik Collection), you can now download the video workshop. The video workshop includes an illustrated printable PDF notes package for easy reference.
I’ve been taking lots of infrared images with my converted Nikon 1 V1 camera. It’s not just because I think infrared is cool, but there is a method to the madness. Any time you get a new piece of gear, whether it’s a lens, camera, or accessory, you need to learn it. That means spending some serious time to learn the strengths and weaknesses of your gear. With an infrared camera, I not only need to understand how the camera itself operates, but also how to best process images to get the creative results I desire. Continue reading My Descent into Infrared Photography, Part 3: One Camera, Multiple Looks
Photography combines technical and artistic elements and allows me to express my creativity. Today, just about anyone with a cell phone has a camera on-hand. So how do you go beyond just taking pictures of your food and your cat?
As with all things, you should have a grasp of the basic fundamentals of exposure. Sure, you can put your camera into Program Auto or “Scene” mode, but doing so can sometimes restrict your creativity. Program Auto mode is great when you’re just looking to get snapshots, and it is well-suited for those just starting out to allow the user to concentrate on composition. But at some point, all your photos will start to look the same, and you’ll probably want to expand your horizons. Here are some techniques you can experiment with once you have the basics down. Continue reading Get Out of Your Rut: Tips for Creative Photography
Part of being a photographer is finding ways to express your creativity. I thought I’d experiment with a “selfy” shot that I did a while back to give it some more character. Ok, those of you who know me are probably saying, “dude, you don’t need any more character.” But I digress. Let’s have a little fun.
The original shot was done using my Nikon D3s and 105mm f/2.8 AFS G VR Micro-Nikkor lens (a very good portrait lens). I used a single SB-900 Speedlight off-camera on a stand, controlled by the Nikon SU-800 commander. The out of camera result was this:
I brought the image into Photoshop, where my goal was to apply plug-ins effects via layers for complete control. Now it was time to get down and dirty! I duplicated the background layer and I used single-image tone-mapping in Nik Software’s HDR Efex Pro 2.
Yes, this is extreme, but hang on… Continue reading I’m not that tough, really!
I just wrapped up a four-day workshop here in Colorado, where we explored creative outdoor photography. We started out by doing traditional landscape photography in Garden of the Gods, then we moved on to several unique locations for interesting compositions and shots. We had a great photo walk in Manitou Springs, and we were able to shoot inside the Miramont Castle, a unique Victorian building. After each morning’s shooting session, we held classroom sessions where we explored the creative aspect of post-processing, including HDR, Monochrome, and Color Efex Pro. We also learned how to use Photoshop layers to maximize our creativity and enhance our workflow with Nik Software plug-ins and Flypaper Textures. Continue reading Creative Outdoor Photography Workshop Wrap-Up