This image of a Great Kiskadee (Pitangus sulphuratus)South Texas Birding Experience Safari was, by far, my favorite capture from my 2016 . I’m heading back down later this week for this year’s adventure with eight enthusiastic clients. We stay in a private, air-conditioned hunting lodge and photograph from a variety of meticulously maintained photo blinds on-site. After a hot day in the blinds, we return for home-cooked meals. 2018 dates for South Texas are TBD, but feel free to contact me if you’re interested about next year’s adventure!
Here’s a shot I got in south Texas using the 200-500mm f/5.6E VR Nikkor near its minimum focus distance of 2.2 meters, showing the good magnification you can get with this lens, especially on a DX Nikon body like the D500. This image is un-cropped, and wouldn’t have been possible with a standard 500mm telephoto without extension tubes.
It’s not every day that Iron Maiden comes to town in their custom jet! I had the opportunity to watch the 747-400 “Ed Force One” arrive in Denver yesterday afternoon. For those of you unfamiliar with the jet, it’s piloted by the lead singer of the band, Bruce Dickinson, who’s a licensed commercial pilot.
Nikon D810 with 70-200mm f/4 AFS G VRII Nikkor
1/1000s f/5.6 ISO 64 (hand-held)
I’m in Chicago leading a Digital Underground Artistic Vision Workshop with Deborah Sandidge. Last night we took the group to photograph the city skyline from near the Navy Pier, and the sunset was spectacular!
Nikon D810 with 28-300mm AFS G VR Nikkor lens
I recently returned from a family vacation. Although I mostly took snapshots, I did bring my Gitzo 1-series tripod for the occasional sunrise photo. Here’s the eastern shore of Kauai at sunrise, captured with my Fujifilm X-T1 and 10-24mm f/4 OIS Fujinon lens. The combination of the 18-135mm and 10-24mm lenses made for a great travel kit. Most of the time I shot with the 18-135mm, but in this instance I used the wider zoom to get the great perspective of the sky and ocean. Because I had my tripod, I was able to stop down to f/11 and get a 1/30s exposure, causing the motion blur in the waves. I really like the way the water blurs just enough to give this image a dynamic feeling.
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