I’ve recently been adopting Skylum Software’s Luminar as a Photoshop plug-in to replace my aging Nik Collection. Don’t get me wrong, I still love Nik, but it’s outdated and I’m not sure where it’s going to end up (yes, I realize it’s been purchased by DXO). With a little practice, I’ve gotten to the point where Luminar is effectively replacing Silver Efex Pro 2 for monochrome conversion work.
With Luminar I’m able to replicate most of my go-to Nik filters, all in a single plug-in application. Luminar also supports Smart Filters, so you can create non-destructive edits if you use Smart Object layers in Photoshop. Instead of having to run multiple plug-ins (usually Silver Efex and Color Efex), I can do everything in a single interface
This image is a digital infrared capture (590nm) that I processed to emulate deep black (830nm) infrared using Luminar.
I’m enjoying working with my latest set of royalty-free texture images. They work great with flowers and other images where the background is either out of focus or even blown-out.
I captured this image of sneezeweed flowers in Colorado last year on my Wildflower Safari (spaces available for 2018), and I used Adobe Photoshop to overlay the texture image. If you don’t have Photoshop, you can use Luminar to do the texture blending, too!
Here’s a pretty standard shot of a Western Gull, which I captured a few weeks ago while leading my San Diego Birding photo safari. Gulls are relatively easy targets for practicing your bird shots, and while this shot isn’t remarkable by any means, my choice of gear still made a difference.
First, I was using the Nikon D850 DSLR. The outstanding dynamic range of this camera allowed me to capture the entire gamut of shadows and highlight details in a single exposure. Should I decide to print this image, I could go as large as 24×34 without any resampling.
Second, I used the versatile Nikon 200-500mm f/5.6 VR zoom lens. For a “consumer” lens, it’s really hard to beat. But why this lens was perfect for this shot was because it was not only light enough to hand-hold, but also that it’s minimum focus distance of 7.2′ (2.19m) allowed me to get really close to my subject and create a really smooth out of focus background.
For my last two birding safaris, I’ve eschewed my heavy tripods for the flexibility of a monopod with tilt-head and shoulder-stock. The monopod is lightweight and mobile, but when combined with my Arca-Swiss shoulder stock, I get a very stable configuration in the field, with my legs replacing a tripod. This isn’t easy to do with a monopod alone; the shoulder-stock creates a solid contact point between my camera and my body.
Finally, because processing the final image is just as important to me as the capture itself, I used Adobe Lightroom Classic CC to fine-tune the exposure, tone, and detail in the RAW image. I leveraged Adobe’s Nikon Camera Neutral profile to open the shadows and protect highlights while giving me maximum control over global and local tone and color.