Nikon 1 V1 ISO Performance: Pixel Peeping vs. Image Sharing

Pikes Peak alpenglow, Nikon 1 V1 at ISO 450 (hand-held)

In my review of the Nikon V1, I subjectively rated ISO performance. It seems as though the first thing people want to do with any new camera is crank the ISO and then try to shoot in the dark (ok, I’m guilty, too). While ISO performance shouldn’t be the only judgment factor when purchasing a camera, it’s certainly true that being able to shoot at high ISOs absolutely opens up creative possibilities that didn’t previously exist. In fact, one reason I really enjoy walking around with my D3s is that I can set ISO-Auto and forget it!

Of course, walking around with a D3s and a fast lens, like the 35mm f/1.4 AFS G Nikkor means lugging around a 2,021g (4.45 lb) kit! The Nikon V1 with 10mm f/2.8 “pancake” lens weighs in at 314g (0.69 lb). While I certainly don’t expect the V1 to come anywhere near the ISO performance of the D3s, I did think it would be interesting for me to compare it to my D3oos, which uses an older CMOS sensor design. Continue reading

Choosing a RAW converter– My Karma ran over your Dogma

Which image is better? (Click to enlarge)

It seems like no matter what you do or where you go, you can never escape the incessant drone of “my product is better” posts out in cyberspace. Name a photo product, and you’ll find fanboys (and girls) trumpeting the merits of their particular choice in gear, software, whatever. We live in a world where product diversity and competition is fierce, but one thing is completely evident to me: when it comes to RAW processing software, you really can’t go wrong with most of the popular choices out there right now.

The one thing that has started to irk me, though, is the beating of drums from people who claim Product A is superior to Product B based on no provable fact. Case in point: Nikon’s Capture NX. In 2005, I compared all the major RAW converters from a Nikon user’s perspective as part of a multi-part segment for The Image Doctors podcast. At that time, we were able to discern clear rendering quality differences between Capture NX and Adobe Camera Raw (ACR). Ah, but times have changed.

Since 2005, ACR has evolved better demosaic algorithms, new features, and camera profile settings that give you results that are at least as good, in my opinion, as what you can do with Capture NX2. The same is true for Aperture, Capture One, and other RAW processors. While there is no doubt that Nikon’s engineers understand the NEF format best, the argument that CNX2 somehow produces a superior conversion to everything else has gotten pretty weak over time. When I look at NEFs I’ve converted with Capture NX2 using standard settings and compare them to ACR conversions with similar settings, I don’t see anything between the two resulting images that would indicate that one is somehow “superior” to the other. What I see are two slightly different images, but neither one is “better” or “worse” in terms of detail, artifacts, or other obvious quality issues.

So what does that mean for you, the photographer, who is trying to filter through all the chatter and pick a RAW processing tool? Remove the subjective component of “conversion quality” from the discussion and instead look at features and workflow. Continue reading

Nikon Coolpix P7000 Hands-On Review

Nikon Coolpix P7000

The new Nikon Coolpix P7000 (image courtesy of Nikon, Inc.)

Does the new compact camera from Nikon live up to it’s marketing hype as a compact camera with the features of a DSLR?

I recently got my hands on the new point and shoot from Nikon, the Coolpix P7000.  Nikon’s Coolpix line of compact cameras has been the frequent target of much criticism over the years, and I have to agree with most of it.  After all, I think I’m a better photographer than Ashton Kutcher (no offense)!  I know a lot of pro photographers, myself included, who are looking for the ideal “point and shoot” camera.  Why?  Well, we take vacations, too.  We don’t always want to lug that D300 or D700 around with a compliment of lenses– they are heavy to carry and large to pack.  The problem is that as a professional, I have grown accustomed to having a certain degree of control over my camera and also a certain level of image quality.  This is where most Coolpix offerings have fallen woefully short as compared to the competition.  The Nikon P7000 has a number of features that are very appealing to the advanced photographer, including:

  • 10MP sensor (reduced from 14MP in the P6000) ISO 100-3200, expandable to ISO 12,800.
  • 28-200mm equivalent zoom lens with optical stabilization (VR)
  • Large, 3″ high-resolution LCD screen
  • M/A/S/P exposure modes in addition to the preset scene modes
  • External controls for major features, including EV compensation
  • Optical viewfinder with diopter adjustment
  • Ability to produce a RAW (NRW-format) file
  • Support for external shoe-mount CLS Speedlights
  • 720p video recording

On paper, this looks to be an impressive little camera.  Let’s see how it works in reality.

Continue reading