If you can adjust your image to deliver the quality you want, does it matter what software you use?
If you’ve followed my or my photography over the years, you probably know that I’m a huge fan of Nikon cameras and also Capture NX2 editing software. You’ve probably also noticed that I’ve been experimenting with Lightroom 4 recently, and I started teaching classes on it.
I made the move to digital photography from film in 2005. At that time, there were raging battles between Nikon and Adobe over things like “encrypted White Balance” and such. At that time, converting NEFs (Nikon RAW format) images with software other than Nikon Capture 4 (or later, Capture NX) was potentially risky. Early versions of Adobe Camera RAW and other programs sometimes created artifacts and rendered colors differently than what Nikon’s converter did.
The beauty of processing RAW files is that every setting is plastic and reversible. However, the initial conversion parameters set the baseline for exposure, contrast, and color rendition and differ with each RAW converter application. One thing that Nikon photographers point out is that they like their default (starting point) conversion to match the “as-shot” look (as viewed on the back of their camera) as closely as possible. This makes sense. If you like the look of Nikon’s Picture Control “Standard,” then it’s very convenient to see the initial image rendered this way when you open the RAW file. After that initial conversion, you can do whatever you want to process your image. Continue reading →
Rembrandt’s classic painting, The Night Watch, uses light to identify the main figures of interest.
Not everyone (myself included) has a degree in fine art or has studied art extensively. As such, I find it enjoyable to take a look at classic paintings and see what makes them so effective. One such example is Rembrandt’s “The Night Watch.” If you examine this image, you’ll see that Rembrandt uses light and color to emphasize the important subjects in his painting. Note that the two primary figures are well-lit, but so is the smaller girl in the background. The other characters in this scene are not as bright and colorful as the ones Rembrandt wants us to focus on.
We can use the same technique in our digital photography. Studio photographers use well-positioned lights all the time to achieve this effect. However, if you’re an outdoor photographer, you might not always get the kind of lighting conditions that perfectly illuminate your subject. Continue reading →
You’ve heard it before: A new camera won’t make you a better photographer. If not, then what will? Photography is a craft that blends art and technology. Each skill on its own requires patience and practice. I can break down my process into several key components. Continue reading →