South Texas Birding Workshop Report 2013

Bewick's Wren

Bewick’s Wren, south Texas. Small species are incredibly hard to photograph unless you are in a blind or hide.

I brought a group of four photographers to south Texas, where we had the opportunity to photograph birds and wildlife from private blinds. In wildlife photography, the challenges are numerous. For birds, especially, it is extremely difficult to get close enough to fill the frame, even with a super-telephoto lens. Here are the main challenges with wildlife/bird photography: Continue reading

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Slowing it Down for Better Photographs

By slowing yourself down, you can learn to see things differently and get better results.

By slowing yourself down, you can learn to see things differently and get better results.

Photography is more accessible than it is ever been. Advances in technology have given us wonderful equipment at fairly inexpensive prices. One of the greatest assets of digital photography is that it allows us to shoot high-volumes of images at relatively low cost. The ease of clicking the shutter on a digital camera means that quite often will end up with hundreds if not thousands of images. But how many of those images are really good? If you find yourself shooting quantity over quality then maybe it’s time to slow things down and take a slightly different approach to your photography. It’s so easy to shoot with digital that sometimes it can be hard to control yourself! Here are some simple techniques that can help you slow yourself down and potentially achieve better results. Continue reading

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The Bigger Reason Why Megapixels Matter for Photo Enthusiasts

Bull Elk, Rocky Mountain National Park, CO. Nikon D800e at ISO 3200.

Bull Elk, Rocky Mountain National Park, CO.
Captured with a Nikon D800e DSLR at ISO 3200. 

A few years ago, just about every Nikon DSLR captured images at around 12 megapixel resolution. The main differences between camera models, then, involved features (speed, AF) and sensor size (FX vs. DX). The biggest advantage of the FX sensor cameras at that time was sheer low-light performance. For the most part, my colleagues and I agreed, the megapixel race seemed over, or at least, diminished as an important feature.

Over the last year, Nikon has been steadily upgrading their entire camera line to 24+ megapixels. Even the low-end Nikon D3200 has a 24MP sensor. In fact, there are only three cameras in Nikon’s current line-up that don’t offer at least 24MP: the D300s (12MP), D7000 (16MP) and D4 (16MP). This had me scratching my head a little, as I certainly know from experience that a 12-16MP camera easily delivers the goods in most situations. Continue reading

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