Tag Archives: Nikon

Nikon Capture NX-D: The end of Capture NX as we know it

Nikon Capture NX-D: A return to 2004 RAW editing workflow.
Nikon Capture NX-D: A return to 2004 RAW editing workflow. I made this screen capture before the beta software stopped working on my Mac Pro.

Along with the Nikon D4s announcement, Nikon yesterday also announced a long-awaited upgrade to Capture NX2. Called Capture NX-D, this Nikon RAW converter is being offered for download while in beta form. Public beta testing is something Nikon has been reluctant do to in the past, and it’s something I applaud them for. I downloaded the beta of Capture NX-D to see what it would do. Unfortunately, it is clear to me that this new product is more notable for what it lacks than what it offers. Continue reading

The Sensor Plane Photography Podcast: Episode #4

I had a chance to sit down with Tony Sweet for this episode of The Sensor Plane podcast. Tony and I discuss the recent advances in mirrorless camera systems; he’s started using the Fujifilm X Pro-1 and he recently took it on a photo workshop he led in Havana, Cuba.

Check out the interview here:

Download an audio-only version of the podcast here (mp3 format)

 

The Sensor Plane Photography Podcast: Episode #1

Sensor-Plane-logo

Welcome to my latest project, a video blog called The Sensor Plane. In digital photography, the sensor plane is where light rays interact with technology. Starting today, I’ll be hosting a regular segment where I’ll talk about the technical and creative sides of digital photography.

In today’s episode, I’ll start off with a review of the two Nikon 70-200mm zoom lenses:

Here my thoughts on the practical aspects of these lenses in the video episode below. If you have suggestions for future topics, please feel free to leave a comment!

Update Jan. 7, 2014

Some viewers have requested an audio-only version of the episode. I’ve posted a MP3 version here: Sensor Plane #1 (Audio Only) 

Understanding the Camera Calibration Module in Lightroom

Adobe Photoshop Lightroom relies on the Adobe Camera RAW (ACR) rendering engine to convert camera RAW images. The default color and contrast settings are something called “Adobe Standard” which look different than what you might see on your camera LCD when reviewing your images. However, Adobe offers alternate Camera Profiles which emulate the as-shot settings from many Nikon and Canon DSLRs. You’ll find these settings in the Camera Calibration panel in Lightroom and ACR.

In this example, I have placed an image of a Colorchecker card on the screen so you can see how the colors and contrast change between camera profiles. For this image, I get options based on the Nikon D800 that I used to capture the RAW file. Note that you can only make profile changes to RAW files. If you see “Embedded” under the profile option, it’s because you’re looking at a TIFF or JPEG image in Lightroom. Choose from any of the profile presets in the drop-down menu to change the baseline color and tone curve of your image, and you can fine-tune it with the sliders if you wish.

If you have a ColorChecker card, you can use the ColorChecker software from X-rite to create a custom profile for your camera. Each custom profile is specific to the camera you use to create the image. You can further tweak those profiles using Adobe’s DNG Profile Editor software (free download from www.adobe.com).

Once you have a profile that you like, you might wish to change your defaults to always use that profile going forward. If you do change your default settings, note that ANYTHING you modified in the Develop section gets applied, so keep your adjustments minimal (Calibration, sharpening, lens corrections) so that you don’t over-process your images. Defaults are only applied automatically when you import new images into Lightroom. Existing images will not be changed; you’ll have to adjust them manually or use the “Reset Settings” option in Lightroom to do so.

South Texas Birding Workshop Report 2013

Bewick's Wren
Bewick’s Wren, south Texas. Small species are incredibly hard to photograph unless you are in a blind or hide.

I brought a group of four photographers to south Texas, where we had the opportunity to photograph birds and wildlife from private blinds. In wildlife photography, the challenges are numerous. For birds, especially, it is extremely difficult to get close enough to fill the frame, even with a super-telephoto lens. Here are the main challenges with wildlife/bird photography: Continue reading