As photographers, we quickly learn to recognize the differences in lighting conditions. We all seek to shoot things in what we call “good light.” But what is good light, anyway? We’ve certainly heard of golden hour and blue hour, and you probably know that overcast skies and midday light aren’t always ideal. In today’s segment of The Sensor Plane, I’ll discuss some common lighting challenges and how to deal with them in the field.
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The Fujifilm X-T1 is a mirrorless camera with DSLR features (Image courtesy of Fujifim).
Well, I decided I’d see what the hub-bub was all about with regard to the Fujifilm X-series cameras. I’ve known for some time that these cameras have a great sensor (16MP, APS-C, no AA filter), but the ergonomics and performance made me hesitate. The biggest flaws with the Fujifilm X-system have been related to focusing speed and lag. Now, with the introduction of the Fujifilm X-T1, most of those issues are gone.
The X-T1 is more DSLR-like in design than the other Fujifilm bodies, making it a little less compact than say, the X-E2. However, it’s weather-sealed, has an articulating LCD, and the electronic viewfinder (EVF) is huge. Moreover, the autofocus performance is said to be faster than the X-E2, which was considerably better than the previous generations of Fujifilm cameras (X-E1, X-Pro1). The X-T1 shoots at 8fps, and has a nice built-in grip.
So I put in an order with B&H Photo (I buy all my own gear) and got a nice Fujifilm kit. Here’s me unboxing it with my first impressions:
Short answer: the build quality of the X-T1 and lenses is nothing short of dreamy. Silky smooth focus ring action and metal barrel construction. It’s really nice to handle! Moreover, the size of this kit is totally manageable. My ThinkTank bags just swallow this kit up!
Now that the battery has charged, I’ve had a few hours to play with the camera. I had to run firmware updates on most of the lenses. Here’s the link to Fujifilm’s lens firmware page for reference. Continue reading →
In this episode of The Sensor Plane Photography Podcast, I wanted to discuss subject isolation as a creative technique. Getting those creamy smooth backgrounds isn’t as hard as you think, especially if you have the right gear. I find that even when shooting landscapes, sometimes it can be nice to soften the background a bit.