Bird photography is probably one of the most challenging activities for a nature photographer to tackle. I started out like most people, trying to take a photo of a bird in a tree with a short (200mm) telephoto lens. When I look at my old photos, I sometimes have to squint to see the bird in them! Now I’m very happy with my bird photography, and as you’ll see it takes skill, patience, and a little bit of luck to really get a dynamic bird photo. I recently presented a live online webinar on bird photography, during which I shared some of my favorite photos and shared camera settings and tips on gear and processing. If you have some free time, I hope you can check it out.
I’m pleased to announce the immediate availability of my latest video tutorial, Get Sharp with Lightroom. In this two-hour presentation, I’ll teach you all about getting perfectly sharp images directly in Lightroom. I also cover noise reduction, local sharpening, and how to create unique effects like gaussian blur with Lightroom.
As mentioned in my earlier article, the best lens is the one that fits your needs. Sometimes that means having the best optics and fastest aperture, but other times other factors can trump pure optical quality. In today’s episode I take a look at some of the Nikon lenses in my kit and discuss how often I use them.
Most photographers have a dirty little secret: a closet full of camera bags. That’s because no single bag can meet every possible need for carrying your gear. Backpacks are great, but they can be awkward to work out of and don’t fit into tight spaces easily. Roller bags are perfect for airports and carrying lots of gear, but they are cumbersome to use for street photography. Shoulder bags are easy to work out of, but they can get really heavy if you pack a lot of gear. Belt packs are really nice, but you can’t carry everything in them as they quickly get overloaded.
I’ve used just about every style of bag, and most of the time I end up using some combination of backpacks and roller bags, depending on how I’m traveling and what I’m packing. The one style I don’t typically use is the shoulder bag; for me, I usually have too much stuff to comfortably carry one for extended periods of time. However, when Tiffen USA contacted me about testing one of the Next Generation Domke shoulder bags, I thought it might be a nice way to pack a mirrorless kit. Continue reading Review: Domke “Ledger” Shoulder Bag→
When I’m on the road scouting locations or leading workshops, I use my MacBook Pro as my field computer. I store my images on a portable USB 3 hard drive and I use Lightroom on my laptop to manage, keyword, and process images.
The challenge with this approach is that Lightroom by its very nature is a single-user application. Unless you store your Lightroom catalog file on a portable drive, it means that you’re going to have to set up two catalogs: one on your main computer and one on your laptop. Keywords and adjustments are not stored in your images unless you use DNG files, so simply copying the images from the laptop to your desktop computer won’t preserve all your Lightroom adjustments. Continue reading Traveling with Lightroom: Moving images between two computers→