It’s time again to think about photographing fall foliage! In this episode of The Sensor Plane podcast, I’ll go over some tips and tricks for getting fall colors that really pop. Specifically, I’ll talk about some of the filters I use when photographing fall colors, including the Singh-Ray Vari-N-Duo.
Night photography is fun. Night photography is also hard. To photograph the Milky Way, you need to be somewhere dark. In the summer, when the nights are warm, it often isn’t truly dark until after 10pm. That means this time of year is perfect, as the nights are just starting to get longer but temperatures are still fairly warm. You also want to make sure there is no moon to spoil the starlight. I use The Photographer’s Ephemeris to determine when astronomical twilight ends (this is when it gets very dark), and for moon information.
Last weekend, everything came together. I took a nice drive with my friend to Limon, CO, where I’ve shot the wind farm in the past. I’d pre-visualized this shot for over a year; I just finally got around to doing it.
Last night, Nikon announced their latest FX-format (36x24mm) DSLR body, the Nikon D750. They also announced a new 20mm f/1.8 AFS G Nikkor lens. Here are my initial thoughts on these announced products. Note that I haven’t tried or tested these items; these are my opinions based on the specs I’ve seen so far. Continue reading →
Fujifilm announced a new color (Graphite) X-T1 body to be released later this year. While it looks really nice, it’s really the same camera as the original (black) X-T1, which I use as my primary travel/family camera. The bigger news, however, was a firmware upgrade coming in December that will match the original (black) X-T1’s features with its silver counterpart. I looked through the firmware features, which you can read here, and the following items caught my eye:
Electronic shutter option for fast primes: You will be able to shoot at a shutter speed of up to 1/32,000s with the electronic shutter. That’s perfect for using a fast prime in bright light without having to stop down. The downside is that this feature will only work with the 23 f/1.4, 25 f/1.4 and 56 f/1.2 Fuji prime lenses (I’m scratching my head on that one).
Natural Live View Mode: Because the X-T1 uses an electronic viewfinder (EVF), the viewfinder displays the scene with in-camera settings applied, like monochrome or “Velvia” mode. What that means is that sometimes the viewfinder image is too contrasty or saturated due to the chosen film emulation mode. Natural mode will display a normal image in the viewfinder, while the captured images will have the film emulation settings applied to them.
Linking the focus area to the metering area in spot metering mode: This is something my Nikon’s do, and it’s a feature I find quite useful. Currently, the spot meter uses the center of the frame, meaning you can’t just choose a metering area with the focus points without recomposing the shot.
Sadly, the one feature I really want, ± 2EV bracketing, wasn’t on the list. I hope Fuji reconsiders and adds this feature… it would make HDR capture so much easier!
This week on The Sensor Plane Photography Podcast, I explore the various crop modes with my Nikon cameras. Ever since Nikon came out with their first 35mm format camera (FX format), the D3, they have implemented ways of cropping the images in the camera.
While the most obvious crop mode is Nikon DX (1.5x) format, which enables the use of DX format lenses on FX format bodies, Nikon also offers 1.2x and 5:4 crops on some of their cameras, including the D800 and D810. These crop modes can be useful in a variety of situations, but have some drawbacks depending on the camera you use.