The Fuji XF 18-55mm f.2.8-4.0 R LM OIS lens has image stabilization. How well does it work?
The standard kit lens for most of the Fujifilm X-mount cameras, including the X-T1 I just purchased, is the XF 18-55mm f/2.8-4.0 R LM OIS zoom lens. There’s a lot of alphabet soup going on with that name, but the main feature here is OIS, or Optical Image Stabilization. This in-lens stabilization system is intended to improve the sharpness of hand-held images of static subjects at lower shutter speeds. As someone who’s used Nikon’s VR lenses for nearly a decade now, I’m very much happy with the feature, especially when shooting indoors. Keep in mind that no stabilization system will prevent subject motion blur at low shutter speeds.
I was doing some test shots with the 18-55mm lens, and I just wasn’t getting satisfactorily sharp results. As I was shooting hand-held, I had OIS enabled. Just for fun, I thought I’d test my lens with the OIS turned off. What I saw was amazing as my image sharpness rivaled that of my 24-70mm f/2.8 AFS G Nikkor lens. It is true that in certain situations, stabilization systems can actually introduce softness when using fast shutter speeds, but it’s not something I found to be an issue with my Nikkor glass. But with this particular lens, it makes a huge difference! Continue reading →
Since I bought my Fujifilm X-T1 system, all of my camera bags were suddenly too big! I purchased a Think Tank Photo Mirrorless Mover 30i to carry it in. It’s perfect for walking around with the camera and a couple of lenses plus accessories. I still may get a slightly larger bag for times when I want to pack the entire kit, but right now, the Mirrorless Mover 30i is a good fit for me. It’s small, well-built, and can carry the X-T1 plus four lenses and accessories, including my iPad. For vacation travel, that’s a perfect combination!
Check out my review of the Think Thank Photo Mirrorless Mover 30i bag on YouTube:
As photographers, we quickly learn to recognize the differences in lighting conditions. We all seek to shoot things in what we call “good light.” But what is good light, anyway? We’ve certainly heard of golden hour and blue hour, and you probably know that overcast skies and midday light aren’t always ideal. In today’s segment of The Sensor Plane, I’ll discuss some common lighting challenges and how to deal with them in the field.
For an audio-only version of this podcast, click here.